You look at the soundmen who recorded their own records or someone like Emil Shalit , who cropped up in Bass Culture , selling Jamaican music in London. They were able to tap into the sound-system world and respond. It was entirely self-contained and self-supported.
This self-sufficiency and sustainability could be seen in the arrival of pirate radio and the importance of characters such as Jazzie B of Soul II Soul, Norman Jay , Trevor Nelson and many others. They had to do something about it and that was 1Xtra. It was a fantastic example of people power.
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Immigrant sounds: how black music shaped London
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Thank you. Size: Color: For as long as people have been migrating to London, so has their music.
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An essential link to home, music also has the power to shape communities in surprising ways. Black music has been part of London's landscape since the First World War, when the Southern Syncopated Orchestra brought jazz to the capital. Sounds Like London tells the story of the music and the larger-than-life characters making it, journeying from Soho jazz clubs to Brixton blues parties to King's Cross warehouse raves to the streets of Notting Hill - and onto sound systems everywhere. As well as a journey through the musical history of London, Sounds Like London is about the shaping of a city, and in turn the whole nation, through music.